Inspired by The Book of Kings, or Shahnameh, these contextually charged artworks suggest temporal linkages; a renewed, digitised interpretation of an age-old Epic Poem. Written by native poet Ferdowsi between c. 977 and 1010 CE, the Shahnameh is the national epic of Iran and recounts a Persian golden age via some 50,000 ‘distichs’ or couplets. This work attests a preservation of mythologies and histories that here lend Dawes’ work an arcane and scholarly agency. Dynasties flows through imagined, dream-like Persian palaces populated by regal figures.

Brendan Dawes (b. 1996) uses generative processes involving data, machine learning, and code to create interactive installations, electronic objects, online experiences, data visualisations, motion graphics, and physical sculptures.

An Alumni of the Lumen Prize and Aesthetica Art Prize, Dawes' work has been featured in exhibitions worldwide, including Big Bang Data in thirteen cities, and three shows at MoMA, New York; the latter acquiring artwork Cinema Redux for their permanent collection.

Dawes draws much of his inspiration from popular culture and nature, often revolving his work around concepts of time and memory. These analytical explorations interrogate our understanding of the surrounding world.

Following his Genesis NFT on KnownOrigin selling within the hour to legendary collector WhaleShark, Dawes released a collection on Nifty Gateway – selling out in under sixty seconds. He has also released work on MakersPlace, Foundation and SuperRare. His work has been auctioned at Sotheby’s Natively Digital: A Curated NFT Sale and Generative Art and The Future, an art exhibition in Shenzhen hosted by China’s largest auction house, Beijing Poly International Auction.