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Superradiance, 2024
Multi-screen video and sound installation
Total: 12 minutes
Chapter 1 - Embodied Simulation 4 mins
Chapter 2: Embodying Earth 8 mins
About the Artwork
Superradiance is a multiscreen video and sound installation, film and performance by Memo Akten and Katie Peyton Hofstadter exploring embodiment, technology, and planetary consciousness. It invites the viewer to extend their bodily perception beyond the skin and into the living environment. The work combines poetry, dance, and insights from neuroscience, woven together with code, simulations, and generative AI to evoke a visceral, intimate connection to the living planet.
While Chapter 1 looks inwards, and reflects on the body and the self as an assemblage composed of trillions of intelligent, living beings; Chapter 2 ventures outwards, beyond the skin, extending the body into the living environment, contemplating the whole planet as a living organism, brought into being through the intricate interplay between trillions of interdependent living organisms, of which we are part. Delving into the rich symbiotic webs of our living planet, 'Embodying Earth' journeys beneath the surface, where life metabolizes rock into soil. And then stands up into forests, rivers into the sky, before falling back to the earth as rain, into the ocean, into reefs, deserts, and back into the air, and back into the earth. The chapter weaves together the dynamic exchange between land, water, and sky, highlighting the transformative dance between geological and biological forces, as life both emerges from and reshapes the planet, and how ancient life continues to nourish the present, just as we will nourish the future.
https://superradiance.art/
Shows: Tribeca Film Festival, Official Selection – Immersive at Tribeca Film Festival, New York, USA, Jun 6 - Jul 29, 2024
Getty PST Art: Embodied Pacific, UC San Diego Visual Arts & Birch Aquarium at Scripps Institution of Oceanography, San Diego, US, Oct 2024 - Oct 2025
BFI London Film Festival, London, UK, Oct 10 - 21, 2024
Digital Body Festival, London, UK, Nov 15 - 17, 2024
Taikang Art Museum, Beijing, China, Nov 15 2024 - Apr 2025
UnFold-X Live Performance, Seoul, South Korea, Nov 7, 2024
HOPE Alkazar, Istanbul, Turkey, Mar 21 - May 4, 2025
Athens Digital Arts Festival, "Simulacra", Athens, Greece, Apr 3 - 7, 2025
Ctrl Gallery LA, 945 Chung King Rd, Los Angeles, CA, USA, Ma 29 - May 3, 2025
CVPR AI Art Gallery, Music City Center, Nashville TN, Jun 11 - 15, 2025
Jacob’s Pillow, Berkshires, MA, USA, Jul 6 - 13, 2025
About Memo Akten & Katie Peyton Hofst
Memo Akten & Katie Peyton Hofstadter are Southern California based interdisciplinary artists, researchers, and collaborators whose work investigates the entanglements of technology, consciousness, embodiment, and culture. Merging backgrounds in dance, writing, poetry, drawing, sculpture, computer science, artificial intelligence, computational art, and public practice, they create speculative simulations, data dramatizations, immersive installations, and narrative experiments that probe the human condition in an age of artificial intelligence and accelerating transformation.
Memo Akten, originally from Istanbul, Turkey, is an artist, musician, and researcher whose practice bridges machine learning, consciousness, perception, and spirituality. A pioneer in artistic explorations of Deep Neural Networks, he holds a PhD in this topic from Goldsmiths, University of London, and is Assistant Professor at UC San Diego. His works have been exhibited worldwide, from the Shanghai Ming Contemporary Art Museum, to the Moscow Museum of Modern Art, to the Grand Palais in Paris, the Venice Biennale, and he is also a recipient of the Prix Ars Electronica Golden Nica.
Katie Peyton Hofstadter is a multidisciplinary artist, writer, and curator whose work investigates the complex relationships between embodiment, consciousness, and technologically mediated imagination. Her projects have been exhibited worldwide, and her writing appears in publications like Flash Art, BOMB, and The Bulletin of Atomic Scientists. She is co-founder of global public art campaigns such as the ARORA network and the Climate Clock in NYC.
Together, their collaborative research and practice explore how emerging technologies— particularly AI and data systems—interact with the embodied, emotional, and ecological dimensions of human experience.

















